The Master of music
Presented at the Cinema and Psychoanalysis Cycle – SPPA – Sala Redenção – UFRGS – October/98
Keywords:
Joachim Dallayrac, Il Rigolleto, PsychoanalysisAbstract
Synopsis of the film: After interpreting a poignant area of Il Rigolleto, the renowned baritone Joachim Dallayrac addresses the audience who applaud enthusiastically and announce that this will be his last public performance. A mature, reserved man with an eccentric personality, Dallayrac surprises everyone with his inflexible attitude. Soon after, he retires to his mansion in the campaign, staying there away from any social interaction. At the request of a friend, he decides to take the young and beautiful Sophie as a student, who, of course, succumbs to her fascination with the master. Shortly after, Jean enters the scene, a boy attracted to delinquency, but who arouses the interest of the master for his promising vocal ability. Dallayrac welcomes Jean into his home, introducing him to the art of lyrical singing.
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References
JAQUES, E. (1965). Morte e crise da meia-idade. In: Spillius, E. B.(Editor), Melanie Klein Hoje. Rio de Janeiro: Imago, 1990, p.248-270.
MARAÑON, G. (1940). Don Juan. Madrid: Espasa-Calpe S.A., 1964.
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I attribute the copyrights that belong to me, on this work, to SPPA, which may use and publish it by the means it deems appropriate, including on the Internet or in any other computer processing.
Atribuyo los derechos de autor que me pertenecen, sobre este trabajo, a SPPA, que podrá utilizarlo y publicarlo por los medios que considere oportunos, incluso en Internet o en cualquier otro tratamiento informático.