Marnie, confessions of a thief

Movie and Psychoanalysis

Authors

  • César Luís de Souza Brito Porto Alegre Psychoanalytic Society (SPPA)

Keywords:

Alfred Hitchcock, Psychoanalysis, Movie

Abstract

A work of art is a work open to the interpretation of the spectator, of the gaze of the beholder, as we well know. An author, by making his work public, automatically relinquishes control over interpretation. Thus, the film Marnie, Confessions of a Thief, by Alfred Hitchcock, can be thought of from different vertices.

Trabalho apresentado no Ciclo de Cinema e Psicanálise – SPPA – Secretaria da Cultura/RS, IECINE/RS – 1999.

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Author Biography

César Luís de Souza Brito, Porto Alegre Psychoanalytic Society (SPPA)

Graduated from the Institute of Psychoanalysis of the Porto Alegre Society of Psychoanalysis.

References

PENOT, Bernard: Figuras da recusa: aquém do negativo. Porto Alegre: Artes Médicas, 1992.

Published

2000-12-07

How to Cite

de Souza Brito, C. L. (2000). Marnie, confessions of a thief: Movie and Psychoanalysis. SPPA Journal of Psychoanalysis, 7(3), 529–535. Retrieved from https://revista.sppa.org.br/RPdaSPPA/article/view/980