Marnie, confessions of a thief
Movie and Psychoanalysis
Keywords:
Alfred Hitchcock, Psychoanalysis, MovieAbstract
A work of art is a work open to the interpretation of the spectator, of the gaze of the beholder, as we well know. An author, by making his work public, automatically relinquishes control over interpretation. Thus, the film Marnie, Confessions of a Thief, by Alfred Hitchcock, can be thought of from different vertices.
Trabalho apresentado no Ciclo de Cinema e Psicanálise – SPPA – Secretaria da Cultura/RS, IECINE/RS – 1999.
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References
PENOT, Bernard: Figuras da recusa: aquém do negativo. Porto Alegre: Artes Médicas, 1992.
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Copyright (c) 2000 SPPA Journal of Psychoanalysis
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Atribuo os direitos autorais que pertencem a mim, sobre o presente trabalho, à SPPA, que poderá utilizá-lo e publicá-lo pelos meios que julgar apropriados, inclusive na Internet ou em qualquer outro processamento de computador.
I attribute the copyrights that belong to me, on this work, to SPPA, which may use and publish it by the means it deems appropriate, including on the Internet or in any other computer processing.
Atribuyo los derechos de autor que me pertenecen, sobre este trabajo, a SPPA, que podrá utilizarlo y publicarlo por los medios que considere oportunos, incluso en Internet o en cualquier otro tratamiento informático.